Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Pietro, Nicolo di
The Continence of Scipio

ID: 84247

Pietro, Nicolo di The Continence of Scipio
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Pietro, Nicolo di The Continence of Scipio


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Pietro, Nicolo di

Italian, active 1394-1427  Related Paintings of Pietro, Nicolo di :. | Scenes from the Legend of Saint Augustine: | Bildnis einer Dame | Scenes from the Legend of Saint Augustine: 11 | Landschaft mit Damen und Reitern | Virgin and Child with the Donor Vulciano Belgarzone da Zara |
Related Artists:
Joseph Melling
Joseph Melling (1724-1796)
Bernardino Fungai
Italian 1460-1516 Italian painter. He is recorded in 1482 as Benvenuto di Giovanni garzone at work on the monochrome frescoes decorating the drum of the cupola of Siena Cathedral. Most scholars have accepted Benvenuto as Fungai teacher but stress the greater influence of Matteo di Giovanni; other proposals have included Giovanni di Paolo and, following the reattribution of paintings traditionally ascribed to Giacomo Pacchiarotti, Pietro Orioli. Fungai depended heavily on the preceding generation of Sienese painters and was considerably influenced by the contemporary activity of Pietro Perugino, Luca Signorelli and Bernardino Pinturicchio in and around Siena. His works are characterized by the docility of the figures, a keen decorative sensibility in the use of colour and the treatment of drapery and landscape, and a pleasantly engaging narrative skill. Although identification of works from his early career is problematic, a sizeable oeuvre has been ascribed on the basis of a signed and dated altarpiece executed for S Niccole al Carmine depicting the Virgin and Child Enthroned with SS Sebastian, Jerome, Nicholas and Anthony of Padua (1512; Siena, Pin. N.).
Lorenzo Monaco
Italian c1370-c1424 Lorenzo Monaco Gallery was a Florentine painter. He joined the Camaldolese monastery of Santa Maria degli Angeli in Florence in 1391, but he left monastic life before making a lifetime commitment. Despite this fact, he has traditionally been called "Lawrence the Monk." His work shows the influence of the International Gothic style of the late fourteenth century, as well as that of the Sienese school.






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